Tag Archives: Diana Cooper

Waugh and Patrick Leigh Fermor

Evelyn Waugh, c 1940

A little bit more on a post I made in 2016 – It took Joan to make him a gentleman.

Evelyn Waugh is quoted as describing Paddy and Joan Rayner (later his wife) as “the Nicotine Maniac and his girl.” The source for my post was Simon Fenwick. Recently I found something on the Evelyn Waugh Society website that offers us a little more information.

The quote appears in a November 1952 post card from Waugh to Diana Cooper, who as we know was a friend and greatly admired Paddy. The cryptic message seems to relate somehow to Leigh Fermor’s involvement in a 1949 visit to Mentmore Towers where Peter Beatty, possibly a mutual friend from Army days, apparently lived or was staying before his suicide. Waugh’s contemporaneous comment on that event in a letter to Nancy Mitford does not mention Leigh Fermor. Letters, p. 312.

Simon Fenwick’s note to me said:

…when they met Paddy may have been an officer but it took Joan to make him a gentleman. Paddy was totally undomesticated and remained so. He flooded baths and spilt drinks over sheets. He also smoked 100 a day, habitually set the bed on fire and woke up in clouds of smoke. In one of his letters Evelyn Waugh refers to Paddy and Joan as ‘the Nicotine Maniac and his girl’. Not unnaturally Joan and he had separate bedrooms although hers was invariably covered in cats which he wasn’t keen on. I suppose Paddy was quite a good advert for the fact that smoking doesn’t always kill you.

In her response to Waugh’s post card, Diana Cooper (also sensitive to Paddy’s smoking habits) referred to the pair as “the chimney and his girl.” see Mr Wu and Mrs Stitch, pp. 148-49.

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John Julius Norwich – 1929-2018

Barry Cryer and John Julius Norwich at an Oldie lunch in 2017

Very sad news over the weekend to hear of the death of John Julius Norwich, writer, diplomat, broadcaster, father of Artemis Copper (Paddy’s biographer), and friend of Paddy and Joan. Thank you to AJ for sending me this link to his final article for the Oldie magazine. Like John Julius, it was Paddy that led me to my interest in Byzantium, although my Byzantine output is nothing like the wonderful three volume history of Byzantium that John Julius wrote.

First published in The Oldie, 1 June 2018.

By John Julius Norwich.

A new show at the British Museum – about three great lovers of Greece – takes me right back to the 1950s. The English painter Johnny Craxton (1922-2009) was a joy – the only dinner guest we ever had who came on his motorbike and left his leathers in the hall. He always came on his own; we were all intrigued by the idea of his long-term boyfriend, whom we never met. I think Johnny saw Greece as a larger Crete – just as Neville Chamberlain was always said to see Europe as a larger Birmingham. Johnny loved Crete with passion.

The Athenian painter Nikos Ghika (1906-1994) provided me with my first breath of Greece in the summer of 1954, when we went to stay with him in his lovely old house on the island of Hydra.

Also staying there were Paddy and Joan Leigh Fermor. Ghika later designed the serpentine pebble mosaic floors at Kardamyli – the Leigh Fermors’ enchanting house in the Mani. It was Paddy that I knew best of the three. Our friendship lasted from the 1950s until his death in 2011 at the age of 96.

In the spring of 1955, when we were living in Yugoslavia – I was working at the British Embassy – a letter arrived from my mother. She had been offered a caique for a fortnight’s sail among the isles of Greece. Paddy and Joan Leigh Fermor were coming; could we come, too? At the end of August, we drove down from Belgrade to Athens, and boarded the Eros at Piraeus.

It was my first time in the Aegean, and my best. Paddy lived and breathed his beloved Greece – fluent in its language, encyclopaedic in his knowledge of its history, people and literature. And nobody has ever carried his learning more lightly.

As we sailed from island to island – and, in those days, there were almost no tourists, and I can’t describe what a difference that made – he talked about Greece, Greek beliefs and traditions, about Byron and the Greek War of Independence, about those monstrously magnificent Greek heroes – men such as Mavromichalis and Kolokotronis, whose names roll so satisfactorily across the tongue – and about the Greek Orthodox Church and its quarrels with the West over words such as ‘filioque’ and ‘homoousion’, his talk taking in all the mystery and magic of the Byzantine world. Twenty years later, I was to write a history of Byzantium myself; but I doubt whether, had it not been for that fortnight on the Eros, I should ever have done so.

One day we were in a taverna on Santorini. Britain and Greece were then at the height of the Cyprus dispute and Paddy was, of course, firmly on the Greek side. Suddenly a member of the party at the next table, hearing us speaking English and being slightly drunk, launched into a stream of anti-British invective. We pretended not to notice. Then, suddenly, he and his companions burst into song.

‘Quick,’ whispered Paddy. ‘National anthem – everybody up.’

We leapt to our feet while he, naturally knowing all the words, sang them at the top of his voice. The mood of the other table changed immediately; and they were still more impressed when he continued with all the following verses – solo by now, since no one else knew them. Abject apologies followed: the ouzo went round once more, and we all departed friends.

It was characteristic of Paddy that, when he and Joan decided to build themselves a house in Greece, they chose the remotest corner: Kardamyli, at the far end of the Mani, the second of the three peninsulas that form the southern coast of the Peloponnese. And oh, how they loved it.

Paddy basically designed it himself. I remember him saying, while the building was in progress, ‘I want it to be part of outdoors, so that, if a chicken were found wandering through the library, no one would be a bit surprised.’

By November 1969, with its vast supply of bookcases, a huge desk and plenty of room to pace over a stone floor, the ‘powerhouse for prose’, as Paddy liked to call it, was ready at last. The two books describing his teenage walk across Europe, A Time of Gifts and Between the Woods and the Water, were both written there, together with hundreds of letters, articles and the jeux d’esprit which he so loved, and of which he was such a master. But those dread enemies procrastination and distraction were always hovering behind him, tempting him away. And as we shall see, they were to get him in the end.

Kardamyli was a huge success. It became the epicentre of Paddy’s world. For the first time, at 54, he had a home of his own. He continued to travel around Europe to see his innumerable friends, but it was here, I feel quite sure, that he was happiest. Outside Europe he was seldom tempted to roam. Except, surprisingly, for the Caribbean. A year or two after the war, he and Joan were persuaded by their old friend (and mine) Costa Achillopoulos to accompany him on a longish tour of the islands.

The result was Paddy’s first book, The Traveller’s Tree, which was published in 1950, and also his second, The Violins of Saint-Jacques, an exquisite little novella which was his only venture into fiction.

The islands fascinated him. His chapter on voodoo is a masterpiece. And then, when he got to Barbados, what did he find? A tablet in the churchyard of St John’s, carved with Doric columns and the cross of Constantine, reading: ‘Here lyeth ye body of Ferdinando Palaeologus, descended from ye Imperial lyne of ye last Christian Emperor of Greece. Churchwarden of this parish 1655-1656. Vestryman twentye years. Died Oct 3. 1679.’

Later, Paddy discovered that Ferdinando’s son Theodore had returned to England and had settled in Stepney, where he left a posthumous daughter baptised with the typically 17th-century name of Godscall Palaeologus.

She may have married, and had countless children; but, for the time being, this little girl in Stepney remains the last authentic descendant of the Palaeologi, the last imperial family of Byzantium.

Of course Paddy was a superb linguist; but I have never known anyone who enjoyed his languages so intensely. He loved on-the-spot translations: ‘To be or not to be’ in German, for example – occasionally recited backwards – or D’Ye Ken John Peel in Italian, which my daughter Artemis (his biographer) and I sang at his memorial service:

Conosce Gian Peel, con sua giacca tanta grigia?

Conosce Gian Peel, prima cosa la mattina,

Conosce Gian Peel, quand’ è lontano, è lontano,

Con suoi cani e suo corno la mattina.

And then there were the letters –letters that could have been written by no one else. Reading them, written at such terrific speed that sometimes they grow faint because the fountain pen can’t deliver the ink fast enough, one marvels at Paddy’s facility and fluency. And yet, when he was writing a book for publication, every sentence was a battleground. When, in July 1988, Sotheby’s sold the autograph manuscript of A Time of Gifts, it was described in the catalogue as follows:

‘c.450 pages, the majority written on rectos only, some on both sides, the first chapter on lined foolscap sheets, some cartridge paper, others lined, heavily revised and corrected, revised passages frequently written on separate sheets and pasted or clipped over the original, corrections or elucidations often in red ink, foreign or difficult words printed in the margin, many sheets with encouraging notes to the typist, often stapled or stitched with coloured thread into gatherings, generally of ten pages.’

I have an idea – I hate to have to say it and desperately hope I’m wrong – that Paddy’s last years were not as happy as the rest of his life had been. He missed Joan desperately after she died in 2003, he was getting old and he gradually had to face up to the fact that he would never complete the third volume of the story of that glorious European journey in his early youth. He produced bits and pieces for it by the dozen, but something always prevented him from organising them, connecting them and making them into a single coherent document. It was, I suppose, a kind of writer’s block.

He would seize on anything – letters, articles, translations, those ingenious word games he so loved – rather than face one of two facts: the first, that he must finish the job; the second – far worse – that he couldn’t. Eventually he knew that the second was the truth. When he came to London, people would say breezily, ‘How’s Volume III coming on?’, little realising that they were driving a dagger through his heart.

Volume III is not entirely lost. The Broken Road, compiled by Colin Thubron and Artemis, breathes Paddy through and through. And anyway, he has left us so much more to revel in.

As a travel writer, he was surely in a class by himself. But he was much more than a travel writer; he was the most extraordinary literary – and social – phenomenon I have ever known, and I am proud to have been his friend.

Paddy’s World – Transcript of John Julius Norwich’s talk for the PLF Society

Many blog readers and members of the PLF Society were privileged to her John Julius Norwich give a very personal account of his memories of Paddy at the Hellenic Centre in London on 10 November. My account of the evening is here

I am very lucky to be able to present the full transcript of the talk. Didn’t I say we had some good stuff coming up? Enjoy this 🙂

On 22 February 1951 my mother wrote to me: “Just off for my jaunt to Passy sur Eure to spoon with P. Leigh Fermor. Shy. Fluster.” At that time she had only just met Paddy and hardly knew him, and she would have been – as indeed she confessed she was – extremely nervous. But all was well. The next letter read:

Well, the gallivanting was a red letter. It took me a good two hours cross-country by Pontoise and Mantes. Strange little village house in which he lives – the loan of a Lady Smart – was warm and welcoming and I really felt myself back in the pond I was raised in. Fascinating conversation with a male man who delights in one. Paddy was superb. Cultured, funny, telling wonderful sagas, zealous. We had a charming filthy little lunch over the stove of sardines, Pernod and vin ordinaire and afterwards we walked for two hours over low wooded downs in sparkling sun, talking ten to the dozen about people, grievances and enthusiasms

That was the beginning. My parents saw quite a lot of Paddy and Joan – whom my mother thought looked just like Joan of Arc, except that Joan of Arc didn’t wear sun-glasses – in the next year or two. I was at Oxford at the time, and I remember seeing them once or twice during vacations, and being invariably knocked sideways – as everyone was – by the sheer brilliance of Paddy, and the glorious fun of him. Every time he walked into a room it was as if the sun had come out; never have I laughed more uncontrollably round a luncheon or dinner table, and as for his erudition, never have I met anyone who knew so much about everything under the sun, yet wore his learning so lightly. There seemed to be no language he could not speak, or indeed sing songs or recite poetry in: French, German, Italian, Spanish, Greek and Rumanian for a start, but there were probably several others as well.

Then, in the summer of 1955, a wonderful thing happened. By then I had joined the Foreign Service. My first wife Anne and I were by that time living in Belgrade, where I was Third Secretary at the British Embassy. Another letter arrived from my mother. She had been lent a Greek caïque by the ship-owner Stavros Niarchos for a fortnight’s sail through the isles of Greece. Paddy and Joan were coming; could we come too? As far as we were concerned, it was a question of “can a duck swim?” At the end of August we drove down from Belgrade – which in those days had no airport – to Athens, and thence to the Piraeus, where we boarded the Eros.

It was my first time in the Aegean, and Paddy gave it a whole new dimension. It was the first time I had seen him, as it were, on his home ground, and it was wonderful. He lived and breathed his beloved Greece – fluent in its language, encyclopaedic in his knowledge of its history, its customs and its literature. But nobody – and that was the wonder and joy of him and – I know I’ve said this before – nobody has ever carried his learning more lightly. His conversation was consistently dazzling. As we sailed from island to island – and in those days there were virtually no tourists, and I can’t begin to tell you what a difference that made – he talked about Greece, about Greek history, about Greek beliefs and traditions, about Byron and the Greek War of Independence, with those monstrously magnificent Greek heroes – men like Mavromichalis and Kolokotronis whose names roll so satisfactorily across the tongue – and about the Greek Orthodox Church and its quarrels with the west over more of those words, like filioque and ͑ομοούσιον; but his talk roamed far wider than that, taking in the whole eastern Mediterranean and, in particular, Byzantium.

Now in England Byzantium has always had a terrible press. The great nineteenth-century historian W.E.H. Lecky wrote that it constituted, “without a single exception, the most thoroughly base and despicable form that civilisation has yet assumed…. There has been no other enduring civilisation, he claimed, “so absolutely destitute of all the forms and elements of greatness”. He went on,

Its vices were the vices of men who had ceased to be brave without learning to be virtuous…. Slaves, and willing slaves, in both their actions and their thoughts, immersed in sensuality and in the most frivolous pleasures, the people only emerged from their listlessness when some theological subtlety, or some chivalry in the chariot races, stimulated them to frantic riots…. The history of the Empire is a monotonous story of the intrigues of priests, eunuchs and women, of poisonings, of conspiracies, of uniform ingratitude, of perpetual fratricides.

Strong words indeed – although to modern ears that last sentence makes Byzantine history sound not so much monotonous as distinctly entertaining. But that long campaign of denigration continued well into the twentieth century. It was only in the time of which I’m speaking – the fifties – that the writings of people like Robert Byron, David Talbot Rice and Steven Runciman, together with the new-found ease, speed and relative comfort of travel in the Levant, made the glorious heritage of the Byzantine Empire at last generally accessible. Now, thank heaven, the Empire has come into its own again, and is seen as a worthy successor to the two mighty civilisations which it followed and so beautifully combined, the Greek and the Roman.

The trouble was, for most of us, that we knew so little about it. Those old attitudes died hard. During my five years at Eton, the entire subject was the victim of what seemed to be a conspiracy of silence. I can’t honestly remember Byzantium being once mentioned, far less studied; and so complete was my ignorance that I should have been hard put to define it even in general terms till I went to Oxford. And, for heaven’s sake, why? After all, it was not even the successor, it was that same old Roman Empire of Augustus and Tiberius and Claudius and the rest, which continued to exist in its new capital of Constantinople for another one thousand, one hundred and twenty-three years before it was finally captured by the Ottoman Turks on that fateful day, Tuesday 29 May 1453, after one of the most heroic sieges in all history. It was Paddy and Paddy alone who revealed to me its mystery and its magic, although he also recommended to me, among much else, that I should read an extraordinary book by Robert Byron, The Byzantine Achievement, which that most precocious author wrote when he was twenty-five. I read it with utter fascination, and ended up completely captivated. When I got home I devoured every book I could find on the subject, and the following year Anne and I drove to Istanbul for a week. Twenty years later I was to write a History of Byzantium myself – three volumes of it, which were necessary if I was to cover more than a millennium; but I very much doubt whether, had it not been for that fortnight on the Eros, those three volumes would ever have been written.

One evening, I remember, Paddy was talking about a poor fisherman at Kardamyli – this was long before he went to live there – a friend of his called Strati Mourtzinos, who, he told us, might just possibly have been the last heir to the imperial throne of Byzantium. Suddenly his imagination took over, and he built a magnificent castle in the air. It seemed, by some miracle, that the Turks had restored Constantinople to Greece. Byzantium was reborn and Strati Mourtzinos was formally crowned as its Emperor. Paddy was later to work up the idea further in his first book about Greece, Mani:

Bells clanged; semantra hammered and cannon thundered as the Emperor stepped ashore. Then, with a sudden reek of naphtha, Greek fire roared, saluting in a hundred blood-red parabolas from the warships’ brazen beaks….. In the packed square of Constantine, a Serbian furrier fell from a rooftop. An astrologer from Ctesiphon, a Spanish coppersmith and a money-lender from the Persian Gulf were trampled to death; a Bactrian lancer fainted and, as we proceeded round the Triple Delphic Serpent of the Hippodrome, the voices of the Blues and Greens, for once in concord, lifted a long howl of applause. The imperial horses neighed in their stables, the hunting cheetahs strained yelping at their silver chains. Mechanical gold lions roared in the throne room, gold birds on the jewelled branches of artificial trees set up a tinkling and a twitter. The general hysteria penetrated the public jail: in dark cells, monophysites and bogomils and iconoclasts rattled their fetters across the dungeon bars. High on his Corinthian capital, a capering stylite, immobile for three decades, hammered his calabash with a wooden spoon….

Would you like a bit more? All right: Continue reading

An obituary of the artist Adrian Daintrey

I am grateful to John Stewart who sent this to me. Adrian Daintrey was a great fried of Diana Cooper and produced a portrait of Paddy in Cretan costume. I cannot find an image of that online. If anyone has one please do forward it.

Adrian Daintrey obit

Daintrey’s Wikipedia page.

Life by the scenic route: Max Hastings reviews ‘Words of Mercury’

First publushed in the Daily Telegraph 12 Oct 2003

Paddy Leigh Fermor has lived one of the great picaresque lives of the 20th century. He left a minor public school under heavy clouds with no money and a penchant for wandering. From 1934, for five years, he sustained a lotus existence in eastern Europe and the Balkans, by charm, genteel begging and Byronic good looks. His parents must have despaired of him during this longest gap year in history.

Words of Mercury by Artemis Cooper

One of Evelyn Waugh’s characters observed in 1939: “It’s going to be a long war. The great thing is to spend it with friends.” Leigh Fermor pursued this policy with notable success. His 18 months as a British agent in Crete made him a legend, not least for the kidnapping of the German General Kreipe, theme of the later film Ill Met By Moonlight.

After the war, Paddy resumed his leisurely course. One can no more imagine him occupying an office desk, queueing for the weekly envelope, than some marvellous beast of the African bush taking up employment as a security guard. He wandered the world until, in 1950, he suddenly produced a small literary masterpiece about the Caribbean, The Traveller’s Tree.

Thereafter, at irregular intervals, he has written travel books and fragments of autobiography. On his visits to England, rural grandees and metropolitan hostesses fight for the privilege of his society. The home he created with his wife Joan on the south shore of the Peloponnese at Kardamyli is a small work of art in its own right, owing much to their pets, or – as he writes here – to four-footed “downholsterers and interior desecrators”. How he loves language and words!

What is charm? In Leigh Fermor’s case it is an infinite curiosity about other people. He treats Bulgarian peasants and English dukes exactly alike. John Betjeman once spoke of Paddy “sitting there listening to you, his eyes sparkling with excitement as he waited to hear what you might say next”. Generosity of spirit is among his notable qualities.

Read more here!