The restored Liebefrauenkirche in Koblenz
This has been posted once before on the blog, but if you need a Christmas Day digital fix, here is something from A Time of Gifts.
Paddy spent Christmas, 1933, in Coblenz/Koblenz a German town on the Rhine. From A Time Of Gifts:
Coblenz is on a slant. Every street tilted and I was always looking across towers and chimney-pots and down on the two corridors of mountain that conducted the streams to their meeting. It was a buoyant place under a clear sky, everything in the air whispered that the plains were far behind and the sunlight sent a flicker and a flash of reflections glancing up from the snow; and two more invisible lines had been crossed and important ones: the accent had changed and wine cellars had taken the place of beer-halls. Instead of those grey mastodontic mug, wine-glasses glittered on the oak. (It was under a vista of old casks in a Weinstube that I settled with my diary till bedtime.) The plain bowls of these wine-glasses were poised on slender glass stalks, or on diminishing pagodas of little globes, and both kinds of stem were coloured: a deep green for Mosel and, for Rhenish, a brown smoky gold that was almost amber. When horny hands lifted them, each flashed forth its coloured message in the lamplight. It is impossible, drinking by the glass in those charmingly named inns and wine-cellars, not to drink too much. Deceptively and treacherously, those innocent-looking goblets hold nearly half a bottle and simply by sipping one could explore the two great rivers below and the Danube and all Swabia, and Franconia too by proxy, and the vales of Imhof and the faraway slopes of Würzburg journeying in time from year to year, with draughts as cool as a deep well, limpidly varying from dark gold to pale silver and smelling of glades and meadows and flowers. Gothic inscriptions still flaunted across the walls, but they were harmless here, and free of the gloom imposed by those boisterous and pace-forcing black-letter hortations in the beer-halls of the north. And the style was better: less emphatic, more lucid and laconic; and both consoling and profound in content; or so it seemed as the hours passed. Glaub, was wahr ist, enjoined a message across an antlered wall, Lieb was rar ist; Trink, was klar ist. [“Believe what is true; love what is rare; drink what is clear.”] I only realized as I stumbled to bed how pliantly I had obeyed.
It was the shortest day of the year and signs of the seasons were becoming hourly more marked. Every other person in the streets was heading for home with a tall and newly felled fir-sapling across his shoulder, and it was under a mesh of Christmas decorations that I was sucked into the Liebfrauenkirche next day. The romanesque nave was packed and an anthem of great choral splendour rose from the gothic choir stalls, while the cauliflowering incense followed the plainsong across the slopes of the sunbeams. A Dominican in horn-rimmed spectacles delivered a vigorous sermon. A number of Brownshirts — I’d forgotten all about them for the moment — was scattered among the congregation, with eyes lowered and their caps in their hands. They looked rather odd. The should have been out in the forest, dancing round Odin and Thor, or Loki, perhaps.
Paddy imaginatively and sensually explores local landscapes by drinking its wine. Notice too the glorious description of the Catholic church in Coblenz at Christmastime. That beautiful old church, the Liebefrauenkirche, was virtually destroyed in the Second World War, but has since been restored.