I first discovered Paddy through my interest in Roman and Byzantine history. In fact through the excellent three volume work, Byzantium, of Paddy’s great friend John Julius Norwich. Some of you know that I run a parallel blog about Byzantium, and I thought that on this occasion I would share a recent post; I wondered how both Paddy and John Julius might have enjoyed it, and so, I hope, do you. If nothing else the music is sublime
In time for this (Orthodox) holy week period, the Byzantine and Christian Museum in Athens is offering a digital tour of some of its best works.
This gold-embroidered Epitaphios (liturgical vestment) dated to 1751 from the famous workshop of Mariora in Constantinople stands out among other exquisite works of art in this digital exhibition which draws on the collections of the Byzantine and Christian Museum in Athens. Hidden in its linings, conservators found the original signatures of the embroiderer and of the person that donated it – Mariora and Timothea. The masterpiece of Byzantine art is a long-term loan from the Exarchate of Jerusalem in Athens.
The digital exhibition, which visitors to the museum’s website can view this week, is a 33-minute video featuring 95 works from the museum’s collections on the Passion, Burial and Resurrection of Christ, and is accompanied by some wonderful music.
This unique digital presentation of museum objects of different places, eras, styles and materials aspires to contribute to a more comprehensive understanding of the centuries-old illustration of the leading events of the Divine Economy, as described in the Scriptures. The works, mostly portable icons, are thematically distributed according to the chronological sequence of historical events and their theological symbolism, beginning with Lazarus’ Sabbath and ending with Easter Sunday.